REVIEWS

FAME DI MUSICA VENEZIA CAPITALE DEI NUOVI TALENTI

June 19th. 2022
Published in:
Corriere della sera – La Lettura

 

“Dopo aver parlato con Esther-Elisabeth Rispens, che io trovo una cantante straordinaria,una vera sorgente di vocalità, Daniil ha composto per lei una linea di meravigliosa oltranza espressiva, piena di cose difficilissime, che si ripetono ossessivamente con un linguaggio martoriato, disintegrato”.

“After talking to Esther-Elisabeth Rispens, whom I find an extraordinary singer, a true source of vocality, Daniil he composed for her a wonderful line expressive extremity, full of very difficult things, which repeat themselves obsessively with a tortured language, disintegrated”.

COLORISTIC COMPOSERS OFFER STUNNING NEW SCORES


October 28th. 2021
Review by Alexandra Ivanoff

 

“Károlyi and Rispens play multiple roles in the community, expressing their fear and confusion. Rispens’ virginal all-white dress and shoes suggest the young innocents and Károlyi’s trench coat suggests the adults. Both singers were vocally and dramatically splendid”.

TRAUMATIKUS ELBESZÉLÉSEK


October 26th. 2021
Review by Kondor Kata

 

“A másik szólista Esther-Elisabeth Rispens szoprán volt, aki magabiztosan szólaltatta meg szólamának helyenként igen szélsőséges effektjeit”.

“Soprano Esther-Elisabeth Rispens spoke confidently with in some places very extreme vocal effects”.

VENEZIA 63. BIENNALE MUSICA: L’AQUILA E IL PAPPAGALLO


October 5th. 2019
Review by Carlo Emilio Tortarolo

 

“La storia del naufragio del pappagallo – una ottima prova scenica di Esther-
Elisabeth Rispens”.

“The story of the parrot shipwreck – an excellent stage performance by Esther-Elisabeth Rispens”.

UN CALDEOSCOPIO DI SUONI E VISIONI TRA UOMINI-ROBOT E FORME SPERIMENTALI


October 3th. 2019
Review by Il nuovo manifesto società coop. editrice

 

“il soprano Esther-Elisabeth Rispens, bravissima vocalista e attrice”.

“ The soprano Esther-Elisabeth Rispens, wonderful singer and actress”.