BIENALLE MUSICA 2022

October 6th. 2022
Published in:
Allaboutjazz.com
Review by Libero Farne

“Un’altra coppia di performance di autori altrettanto giovani è stata
accomunata dall’interpretazione esaltante, estremamente espressiva del soprano Esther-Elisabeth Rispens, anch’essa giovane e messasi in luce in questi ultimi anni in varie occasioni, anche all’interno della stessa Biennale Musica.”

“Another pair of performances by equally young composers was marked by the exciting, extremely expressive interpretation by the soprano Esther-Elisabeth Rispens, still very young and already a known singer in the Biennale Musica itself.”

BIENNALE MUSICA DI VENEZIA / 4 DIECIMILA SPETTATORI AL FESTIVAL E IL GRAN FINALE (TUTTI I PREMIATI)

September 26th. 2022
Published in:
Blog.ilgiornale.it

“Inoltre, aggiunge la motivazione, Esther-Elisabeth Rispens ‘ha dimostrato
una forte presenza vocale e attoriale anche in Still Drowsy di Timothy Cape e Relict di Daniil Posazhennikov”.

“Furthermore, adds the motivation, Esther-Elisabeth Rispens ‘has shown a strong vocal and actor presence also in Timothy Cape’s Still Drowsy and Relict by Daniil Posazhennikov”.

MUZIEKTHEATER BIENNALE DI VENEZIA 2022
‘INSTRUMENTAAL THEATER’

September 9th. 2022
Published in:
Opusklassiek.nl
Review by Paul Korenhof

“Dat bezaten de vier jonge executanten van het Biennale College Ensemble stuk voor stuk. Maar met de meeste fascinatie heb ik toch geluisterd naar de adembenemende capriolen van de Belgische sopraan Esther-Elisabeth Rispens in de Six Tourbillons.”

“That’s what the four young performers of the Biennale College Ensemble possessed one by one. But with the greatest fascination I have listened to the breathtaking vocal whirls of the Belgian soprano Esther-Elisabeth Rispens in the Six Tourbillons.”

FAME DI MUSICA VENEZIA CAPITALE DEI NUOVI TALENTI

June 19th. 2022
Published in:
Corriere della sera – La Lettura

“Dopo aver parlato con Esther-Elisabeth Rispens, che io trovo una cantante straordinaria,una vera sorgente di vocalità, Daniil ha composto per lei una linea di meravigliosa oltranza espressiva, piena di cose difficilissime, che si ripetono ossessivamente con un linguaggio martoriato, disintegrato.”

“After talking to Esther-Elisabeth Rispens, whom I find an extraordinary singer, a true source of vocality, Daniil he composed for her a wonderful line expressive extremity, full of very difficult things, which repeat themselves obsessively with a tortured language, disintegrated.”

October 28th. 2021
Review by Alexandra Ivanoff

“Károlyi and Rispens play multiple roles in the community, expressing their fear and confusion. Rispens’ virginal all-white dress and shoes suggest the young innocents and Károlyi’s trench coat suggests the adults. Both singers were vocally and dramatically splendid.”

October 26th. 2021
Review by Kondor Kata

“A másik szólista Esther-Elisabeth Rispens szoprán volt, aki magabiztosan szólaltatta meg szólamának helyenként igen szélsőséges effektjeit.”

“Soprano Esther-Elisabeth Rispens spoke confidently with in some places very extreme vocal effects.”

October 5th. 2019
Review by Carlo Emilio Tortarolo

“La storia del naufragio del pappagallo – una ottima prova scenica di Esther-Elisabeth Rispens.”

“The story of the parrot shipwreck – an excellent stage performance by Esther-Elisabeth Rispens.”

October 3th. 2019
Review by Il nuovo manifesto società coop. editrice

“il soprano Esther-Elisabeth Rispens, bravissima vocalista e attrice.”

“ The soprano Esther-Elisabeth Rispens, wonderful singer and actress.”